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Gooding #13F1
Bartels C16.1; Earee (Page 211); Serrane (Page 224)
Possibly typographed in
brownish-carmine, on thin, pale green, surfaced wove paper, apparently enameled. The full-stop in the upper inscription is
equidistant between the two words, and there is no colon after 'INTERIOR'.
The outline of the top of the frame, above this inscription, is composed of a
very thick line, with a very thin line outside it. The upper, bell-shaped
ornaments have no white dots above them; and the lower ones have no white
dots below them. There are seventy-five pearls round the central circle. Only
one row of the network can be seen, both above and below the central circle,
between it and the frame. There is no shading on the throat, under the chin,
and there is no spot on the neck, near the base. The front end of the ribbon,
which comes across the neck, is level with the shading at the back of the
neck. There are two dotted lines of shading on the neck, below the ribbon.

(Dr Severino Bajar Collection)
Gooding #13F2
THIS
FORGERY HAS BEEN MERGED WITH Gooding #13F1
After further investigation, I am convinced
that my earlier description of this forgery ties in with the descriptions of
the one above.
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